Although listening to music for its own sake is a relatively recent historical development, it has existed for as long as humankind has enjoyed song and dance. Music has long been performed at home, in church, and even in theatre productions. In the early 17th century, the first public opera house opened in Venice. In 1672, the first public concert with admission fees appeared in London. In the next fifty years, the concert was becoming a more prominent feature of musical life.
The earliest Western philosophers viewed music as a branch of ethics, and he was an acerbic musical disciplinarian. He considered that the character of a person corresponded to the type of music he or she chose. As a consequence, Plato believed that music should be simple and straightforward, declaring that complex music inevitably lead to disorder. However, he did admit the value of music, which, according to him, echoes divine harmony and reflects moral order.
Throughout human history, music has been recognized as important, and no one has argued that it is necessary. In the ancient Greek philosopher Democritus, however, the necessity of music was questioned. However, the view of music as mere grace continues to be prevalent today, with the development of psychological understanding of play. The importance of music cannot be overstated. People, whether young or old, are bound to be moved and touched by it. Despite the many benefits of music, however, it must be borne in mind that there is no “need” for it.
In the 20th century, composers continued to use traditional forms of music while others abandoned them entirely. Information theory emphasized that musical messages are not necessarily referential and are not limited to a specific context. The concept of music, meanwhile, was redefined as “sound events” in part V of Gracyk and Kania’s 2011 book, which discussed the aesthetics of musical sound. For this, the notion of “timbre” emerged as a conceptual framework.
Moreover, music has a profound influence on people’s emotions, including feelings of joy and sadness. Therefore, it is imperative to understand the role of emotion in the perception of music in human lives. A person’s emotional reactions are directly connected to the value of music. In the following paragraphs, we’ll discuss how music affects the values of the listener. Once we know this, we’ll be better equipped to make choices that will benefit the audience and the music industry.
In terms of structure, a piece of music can follow one of two forms: large or small. Large music, like symphonies, typically uses a four-movement structure. The exception is the late Beethoven quartet. The large form of a work is also used by Bela Bartok. An arch form is a large, reverting arrangement of several elements – each of which is considered a separate movement. Concertos, on the other hand, adhere to the traditional three-movement structure.